So we went outside, and I asked if Tyler wanted it in the face or in the stomach...

Odnośniki

Smutek to uczucie, jak gdyby się tonęło, jak gdyby grzebano cię w ziemi.
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Na su wa siê py ta nie: dla cze go masz p³aciæ za coœ, co mo¿esz mieæ za dar mo? Czy Tim O'Reilly po stra da³ zmys³y i wy da je coœ, co ka ¿dy mo¿e so bie sam wy dru ko...
that came from his lips, and they kept saying, "Isn't this Joseph's son?"4:23-27 - So he said to them, "I expect you will quote this proverb to me,'Cure yourself,...
and be so angry that they’d take it out on anyone who happened to have been around at the time...
Say goodbye, goodbye to whisky,Lordy, so long to gin,Say goodbye, goodbye to whiskyLordy, so long to gin,I just want me reefers,I just...
} } } So far, so good...
CZ Ł O W IE K N IE P E Ł N O SP R A W N Y JA K O âźIN N Y â W U JĘ C IU K O N C EPC JI S O C JO L O G IC Z N Y C H 93 Niepełnosprawność może pociągać za sobą nie tylko negatywne...
— Ty cholerny bawełniany łbie — rzekł z pogardą Buck...
- Och, nie zabijaj mnie, panie - zawołał bandyta...
Widok był dość niezwykły...

Smutek to uczucie, jak gdyby się tonęło, jak gdyby grzebano cię w ziemi.

Tyler said, "Surprise me."
I said I had never hit anybody.
Tyler said, "So go crazy, man."
I said, close your eyes.
Tyler said, "No."
Like every guy on his first night in fight club, I breathed in and swung my fist in a roundhouse at Tyler's jaw like in every cowboy movie we'd ever seen, and me, my fist connected with the side of Tyler's neck.
Shit, I said, that didn't count. I want to try it again.
Tyler said, "Yeah it counted," and hit me, straight on, pox, just like a cartoon boxing glove on a spring on Saturday morning cartoons, right in the middle of my chest and I fell back against a car. We both stood there,
Tyler rubbing the side of his neck and me holding a hand on my chest, both of us knowing we'd gotten somewhere we'd never been and like the cat and mouse in cartoons, we were still alive and wanted to see how far we could take this thing and still be alive.
Tyler said, "Cool."
I said, hit me again.
Tyler said, "No, you hit me."
So I hit him, a girl's wide roundhouse to right under his ear, and Tyler shoved me back and stomped the heel of his shoe in my stomach. What happened next and after that didn't happen in words, but the bar closed and people came out and shouted around us in the parking lot.
Instead of Tyler, I felt finally I could get my hands on everything in the world that didn't work, my cleaning that came back with the collar buttons broken, the bank that says I'm hundreds of dollars overdrawn. My job where my boss got on my computer and fiddled with my DOS execute commands. And Marla Singer, who stole the support groups from me.
Nothing was solved when the fight was over, but nothing mattered.
The first night we fought was a Sunday night, and Tyler hadn't shaved all weekend so my knuckles burned raw from his weekend beard. Lying on our backs in the parking lot, staring up at the one star that came through the streetlights, I asked Tyler what he'd been fighting.
Tyler said, his father.
Maybe we didn't need a father to complete ourselves. There's nothing personal about who you fight in fight club. You fight to fight. You're not supposed to talk about fight club, but we talked and for the next couple of weeks, guys met in that parking lot after the bar had closed, and by the time it got cold, another bar offered the basement where we meet now.
When fight club meets, Tyler gives the rules he and I decided. "Most of you," Tyler yells in the cone of light in the center of the basement full of men, "you're here because someone broke the rules. Somebody told you about fight club."
Tyler says, "Well, you better stop talking or you'd better start another fight club because next week you put your name on a list when you get here, and only the first fifty names on the list get in. If you get in, you set up
your fight right away if you want a fight. If you don't want a fight, there are guys who do, so maybe you should just stay home.
"If this is your first night at fight club," Tyler yells, "you have to fight."
Most guys are at fight club because of something they're too scared to fight. After a few fights, you're afraid a lot less.
A lot of best friends meet for the first time at fight club. Now I go to meetings or conferences and see faces at conference tables, accountants and junior executives or attorneys with broken noses spreading out like an eggplant under the edges of bandages or they have a couple stitches under an eye or a jaw wired shut. These are the quiet young men who listen until it's time to decide.
We nod to each other.
Later, my boss will ask me how I know so many of these guys.
According to my boss, there are fewer and fewer gentlemen in business and more thugs.
The demo goes on.
Walter from Microsoft catches my eye. Here's a young guy with perfect teeth and clear skin and the kind of job you bother to write the alumni magazine about getting. You know he was too young to fight in any wars, and if his parents weren't divorced, his father was never home, and here he's looking at me with half my face clean shaved and half a leering bruise hidden in the dark. Blood shining on my lips. And maybe Walter's thinking about a meatless, painfree potluck he went to last weekend or the ozone or the Earth's desperate need to stop cruel product testing on animals, but probably he's not.
Chapter 6
ONE MORNING, THERE'S the dead jellyfish of a used condom floating in the toilet.
This is how Tyler meets Marla.
I get up to take a leak, and there against the sort of cave paintings of dirt in the toilet bowl is this. You have to wonder, what do sperm think.
This?
This is the vaginal vault?
What's happening here?
All night long, I dreamed I was humping Marla Singer. Marla Singer smoking her cigarette. Marla Singer rolling her eyes. I wake up alone in my own bed, and the door to Tyler's room is closed. The door to Tyler's room is never closed. All night, it was raining. The shingles on the roof blister, buckle, curl, and the rain comes through and collects on top of the ceiling plaster and drips down through the light fixtures.
When it's raining, we have to pull the fuses. You don't dare turn on the lights. The house that Tyler rents, it has three stories and a basement. We carry around candles. It has pantries and screened sleeping porches and stained-glass windows on the stairway landing. There are bay windows with window seats in the parlor. The baseboard moldings are carved and varnished and eighteen inches high.
The rain trickles down through the house, and everything wooden swells and shrinks, and the nails in everything wooden, the floors and baseboards and window casings, the nails inch out and rust.
Everywhere there are rusted nails to step on or snag your elbow on, and there's only one bathroom for the seven bedrooms, and now there's a used condom.
The house is waiting for something, a zoning change or a will to come out of probate, and then it will be torn down. I asked Tyler how long he's been here, and he said about six weeks. Before the dawn of time, there was an owner who collected lifetime stacks of the National Geographic and Reader's Digest. Big teetering stacks of magazines that get taller every time it rains. Tyler says the last tenant used to fold the glossy magazine
pages for cocaine envelopes. There's no lock on the front door from when police or whoever kicked in the door. There's nine layers of wallpaper swelling on the dining-room walls, flowers under stripes under flowers under birds under grasscloth.